Brad’s Eye View

We speak to photographer Brad Walls who has developed his skill for beautiful, symmetrical drone photography with female athletes taking centre stage

By Glorious

Photography by Brad Walls

Sydney-based photographer Brad Walls has taken his work to new heights, having developed a niche style that removes itself from traditional aerial photography and instead focuses on experimentation with negative space, symmetry and leading lines. Taking a keen interest in top-down portraits, Brad has captured the elegance of synchronised swimming, gymnastics and ballet, using the human body to portray a whole new world with shapes from above. Glorious speaks to Brad about his passion for the ‘aerial sweet spot’ he can reach with his drone and the artistic capabilities of looking at women’s team sports through a new perspective.

Kaleidoscope.

Glorious: When did you discover that you wanted a career in photography, and how did it start?

Brad Walls: The turning point for me was when my series “Pools from Above” attracted global attention during the height of the pandemic. At that point, I realised that there was something there to pursue.

Glorious: How did you discover the gymnastics / synchronised swimming teams and why did you want to photograph them?

Brad Walls: Artistic sports were the most obvious choice due to being more visually pleasing. I’ve often targeted femininity in my work, as the female body worked best with my aesthetic due to its delicate, softer shapes and cleaner lines. As opposed to the male body which more often than not is boxier and squarer. Nothing wrong with that, it just doesn’t fit my aesthetic.

I hoped to showcase a new perspective of these sports to both the sportswomen and sportsmen as well as their audiences – and to new audiences who hadn’t even seen the sport.

Glorious: What intrigues you about shooting from above?

Brad Walls: There is this aerial sweet spot which is too high for a handheld camera and too low for a helicopter. It’s somewhere in the 10m range , which is where I focus my efforts. This height still can evoke emotion whilst also creating these shapes that I desire. It’s intriguing because the modality and format is still so new. The limiting factor of handheld cameras has been unlocked, exposing all these complex angles and heights.

Glorious: Do you use a drone or do you use other methods to capture these aerial images?

Brad Walls: Yes, I use a prosumer drone. It’s small and compact and perfect for my needs.

Aerial shot of four gymnasts in a diamond shape
White Diamond.
aerial shot of a team of gymnasts in two lines
Womb.

Shapes

aerial shot of synchronised swimmers performing
Water Ballet.

Glorious: Can you talk us through your process when using a drone to take your photographs? Are you able to see the compositions as you take them, or is it more of a guessing game?

Brad Walls: My compositions are very well planned. Before each shoot, I draw up the compositions that I wish to capture. However, with regards to the synchro shoot, I worked quite closely with the coach of the synchro team to strategise how we were going to execute the shoot, i.e what positions were required by the swimmers to create the shapes I required. Having said that, I do leave some room for free association when on shoot;, there are these moments of serendipity which could never have been planned. For example the image Circle of Synchro was shot whilst the swimmers were in transition to another pose, but it created this beautiful whirlpool effect.

Aerial shot of a ballerinas shadow
Ombre Un.

Glorious: What is it about these teams of female athletes that led you to experiment with aerial photography?

Brad Walls: I’m always looking for subject matter that has previously been photographed that may be intriguing from a new perspective. Once I saw that the shapes that synchro swimmers created were best seen from directly above, the decision was easy to start on that project.

Glorious: What do you think the future of aerial photography looks like? Would you say it’s becoming more experimental?

Brad Walls: To date, it’s mostly been landscape-based work, which is still brilliant, but it never excited me as much as a more artistic use of aerial photography. I hope it moves that way, there is a lot of opportunity to unlock the more creative side. It’s just willing to be patient, to fail over and over, until you realise that there is something there to tap into.

Glorious: Do you work on your own, or do you work with a team?

Brad Walls: I’ve started to create a team around me to execute photoshoots. I am still the shooter and producer of the images, however bringing on a stylist and makeup artist has helped with the workload. I need to be focused solely on getting the shot, and not so much the other elements. Ultimately I think I am a hybrid photographer/creative director, as many of the shoots I lead creatively. However I would like to work with a creative director to collaborate with as well.

4 images of different poses of a synchronised swimming team with umbrellas
Emerge (top left), Water (top right), Parasol Peek (bottom left), Octopetala (bottom right).

Glorious: What is your most Glorious shot (A photo that elevates women’s sport through the lens of art and culture?)

Brad Walls: Circle of Synchro. It’s a whirlwind of emotions and messages in one take. The togetherness of the swimmers and the whirlpool effect is associated with the notion of women moving together. And those gorgeous smiles, enjoying the moment!

Glorious: Besides your photography, are you involved in any sports yourself? If so, would you say that that influences your approach to your photography?

Brad Walls: I used to play tennis very competitively, up until I had to focus on my studies. However, I wasn’t particularly interested in design at that stage in my life. It was more my interest in new technologies that pushed me to purchase a drone whilst I was pursuing a career in product design. Sports was the subject matter that I believed was under-expressed within the art community.

Spine.

Glorious: Can you tell Glorious what you’re working on next and what we can expect from your future projects?

Brad Walls: I’m currently working on a conceptual squash series which fuses the past and the present. I’ve already published a couple of the images over on my Instagram. I’m unsure what the future looks like for my work, I don’t want to set any barriers too early in my career. Ultimately I will niche down, but I’m not ready for that just yet. Now it is about experimentation, lots of failures and learnings along the way. It sounds horribly cliche, but do expect the unexpected. I love a good surprise.

aerial shot of 6 gymnasts doing the splits
Semblance.

Views

Aerial shot of squash players all leaning on the courts walls
Future Passé.

Glorious: Are there any female athletes/ sports teams that you’d love to shoot?    

Brad Walls: I would like to work with a European indoor volleyball team at some point, as I believe I could use a similar concept to the new squash series I am working on with a Soviet theme.

Glorious: Where can we find more from you?

Brad Walls: You can find more about me from my instagram @bradscanvas and website https://bradscanvas.com

Aerial Shot of 4 people exercising
Distancing.

See more of Brad’s work here

Editorial Design Root

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